Adobe Premiere Exercise: Editing

In this exercise various crowd sequences from various Eisenstein films will be edited as if they were a single and continuous sequence. The exercise is about making a parallel editing, so that the viewer who sees this sequence gets a general idea of ​​what has happened in a demonstration, seeing the specific events that have occurred in different places of that demonstration. The films from which the fragments have been extracted are: Strike (1925), Battleship Potemkin (1925), October: Ten Days That Shook the World (1928) and The General Line (1929). The objective of this practice is to create a new narrative unite from materials of diverse origin. The continuity of movement and the association of actions that occur from one shot to the next will be the main work on this video.